When preparing to perform a solo or a whole recital, there are a lot of factors that motivate our practice. To have a polished end product we meticulously learn notes, rhythms, and technique, with metronomes, recording devices, and more. And, if you are like me, I practice getting through the complete solo or program to make sure I have enough endurance.
What is the right answer! For me, I always let sound lead. Are you ready for the big HOWEVER?
When we think about cup depth of a brass instrument mouthpiece, we generally think about how they will affect the sound. Generally, a large cup will provide a dark sound, where a shallow cup will produce a brighter more projecting sound. Is sound the only thing that the cup affects, though? We recently polled our Denis Wick community with this question: Does the cup depth affect articulation? Each player is different, and while we here at Denis Wick have some specific ideas about how the right cup contour can assist your performance, we also realize each player has their own experience with this, and feels support from a mouthpiece in different areas.
Playing by ear and working in groups form the foundations of both my teaching and practice. In this article I look to explain why I think it holds so much value and how I think anyone can improve their enjoyment of playing with some time spent playing without music each week, with even more success if you can find others to play with too.
Learn about what triggered Denis Wick to #transform2perform throughout his life as a student, teacher, performer, and manufacturer in this interview with denis, hosted by Ian Bousfield.
Summer is a great time to look for a new mouthpiece. Adjusting to a new mouthpiece can take a little time, and the summer provides just that. Since a mouthpiece will not teach you to play higher, lower, louder, or softer, the summer is also a great time to hone your skills in these areas. Stay tuned to the Buzz in the upcoming weeks for tips and advice in these areas.
As every teacher knows, a good tone on any brass instrument needs a properly set-up embouchure; these days one may assume that the young player will have a reasonable instrument and a sensible mouthpiece. To this one could add what many teachers would regard as the most important of all – good breath control.
Reflecting on the many discussions I’ve had, I’ve come to realize that there is a moral code to trying
Your mouthpiece is a relationship of measurements, joined together to support you. Understanding the terminology and relationship is key to finding the right mouthpiece.
"Why would you choose to play an instrument with a mouthpiece the size of a coin...?" asks Denis Wick Products' Mary Galime. Here is Denis Wick artist Chris O'Hara's answer.
Directing your customer to make a choice in 4 easy steps:
Are you a musician? Your New Year's resolution might include practice disciplines, range goals, technique goals, career goals, etc. Resolution planning can be tricky; too easy and you feel like you cheated, too lofty and half-way through the year you feel like a failure. If only there was one thing that you could resolve to do that would keep you busy the whole year while improving everything. And there is!
In this #transform2perform interview with Christopher Bill, Chris discusses the power of practice we learn as a musician, and what that has taught him, for better or for worse, in his career.
In his web series Comedians in Cars Getting Coffee, Jerry Seinfeld says of performing: “I don’t accept the judging of process. It doesn’t matter [how you prepare]. We’re all trying to get to the same island. Whether you, swim, fly, surf, or skydive in, it doesn’t matter. What matters is when the red light comes on.” This is a great attitude to adopt as a musician especially if you are self conscious of how you sound in the practice room. We’ve all been there, sounding our worst while our friends, colleagues, teachers, well-wishers, and personal idols all mill about outside, eagerly pressing their ears to the door in hopes of catching a moment of weakness.
Many talented brass players have problems in high note playing which seem inexplicable. Often there is no obvious reason. These days the general standard of teaching and playing sophistication at a professional level is at an all-time high, but there are, of course, many amateurs who have not had access to the best teaching. These brass players who have no aspirations to earn their living at anything so potentially precarious, but who derive much satisfaction and pleasure from 'taming the tubes' can perhaps benefit from a few words of advice from a teacher who has seen most aspects of playing over many years.
What is your experience with marching band, how did you get involved, and with which groups do you primarily work?
Tuning is one of the few areas of music that are binary; something is in tune or it is not. However, even though most everyone would agree with this statement, the subject of tuning and its pedagogy get surprisingly muddled especially within the world of marching band. While there are still many ways to address tuning, keeping in mind the following concepts will help guide you to success and diagnose problems you may encounter.
In one of my favorite movies, My Big Fat Greek Wedding, the main character’s mother provides her daughter some valuable advice for their household: “The man is the head of the house, but the woman is the neck and she can turn the head whichever way she pleases.”
It can be challenging to find the motivation to practice over break, and you have several factors operating against you. You are at home. There are no performances on your horizon. You want to see your friends. You have siblings or erratic sleep schedules to work around and there’s no decent acoustical space for you to practice. There are many excuses that can account for neglecting your instrument over break. I’ve been there and now as a mom of twin toddlers and a professional freelance horn player, I am here to tell you that if you want to find time to practice, you will. Keep your chops in shape and your momentum moving forward as you head home for the holidays.
Good habits are the Holy Grail of musicianship. Legendary in benefit; frustrating in attainability. If your posture is perfect, your technique immaculate, and your preparation thorough, you are sure to succeed. We spend hours, days, and years in the practice room reinforcing good habits (and inevitably some bad ones), but there’s another kind of habit that’s more destructive than the bad ones we can gain in the practice room and it often comes from our best intentions.
